A series of glass jewellery.
Hand drawn individually and fired onto waterjet cut glass
They are the result of an Arts Council England grant to work with the University of Sunderland Glass & Ceramics department at the National Glass Centre. to develop drawing onto glass.
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reticella neck lace 1
hand drawn glass jewellery 13x7cm drawing onto waterjet cut glass FREE SHIPPING reticella neck lace 1 is one of in series of glass jewellery pieces from researching historical lace and glass. Paddy Killer received an Arts Council England grant. This was for an exhibition, and to work with the University of Sunderland Glass & Ceramics department at the National Glass Centre. The University waterjet-cutter cuts the glass. Paddy draws the individual pieces, and fires them at the university. Paddy Killer began researching into glass and lace 20 years ago. She had to abandon it for work commitments. Ten years ago it began again with advice and help from her friend and fellow artist Paul Scott. Two years ago she had a solo exhibition, Drawn Thread Work, at Customs House Gallery in South Shields. It was part of the DRAWING project, led by gallery curator Esen Kaya. Paddy applied for the ACE grant for the exhibition, and research into lace, and glass materials and techniques began again. -
reticella NeckLace 4a
hand drawn glass jewellery 13x7cm drawing onto waterjet cut glass FREE SHIPPING reticella NeckLace 4a is one of in series of glass jewellery pieces from researching historical lace and glass. Paddy Killer received an Arts Council England grant. This was for an exhibition, and to work with the University of Sunderland Glass & Ceramics department at the National Glass Centre. The University waterjet-cutter cuts the glass. Paddy draws the individual pieces, and fires them at the university. Paddy Killer began researching into glass and lace in 2000. She had to abandon it for work commitments. In 2010 it began again with advice and help from her friend and fellow artist Paul Scott. In 2017 she had a solo exhibition, Drawn Thread Work, at Customs House Gallery in South Shields. It was part of the DRAWING project, led by gallery curator Esen Kaya. Paddy received an ACE grant for the exhibition, and research into lace, glass materials and techniques began again. -
Out of stock
reticella NeckLace 3a hand drawn glass jewellery 13x6.5cm drawing onto waterjet cut glass FREE SHIPPING Reticella NeckLace 3a is one of in series of glass pieces from research into historical lace and glass. In 2000 Paddy began researching into historical glass and lace, but she had to abandon it for work commitments. In 2010 it began again with advice and help from her friend and fellow artist Paul Scott. In 2017 she received an Arts Council England grant for a solo exhibition, Drawn Thread Work, at Customs House Gallery in South Shields. It was part of the DRAWING project, led by gallery curator Esen Kaya. Paddy restarted research into lace, glass materials and techniques, working with the University of Sunderland Glass & Ceramics department at the National Glass Centre. The University water jet cutter cuts the glass, then Paddy draws the individual pieces, and fires them at the university. -
reticella NeckLace 5a - Edward Sackville collar hand drawn glass jewellery 12x6.5cm drawing onto waterjet cut glass FREE SHIPPING Reticella NeckLace 5a is one of in series of glass jewellery pieces from researching historical lace and glass. This one is from William Larkin’s portrait of Edward Sackville in Kenwood House. Paddy Killer received an Arts Council England grant. This was for an exhibition, and to work with the University of Sunderland Glass & Ceramics department at the National Glass Centre. The University waterjet-cutter cuts the glass. Paddy draws the individual pieces, and fires them at the university. Paddy Killer began researching into glass and lace in 2000. She had to abandon it for work commitments. In 2010 it began again with advice and help from her friend and fellow artist Paul Scott. In 2017 she had a solo exhibition, Drawn Thread Work, at Customs House Gallery in South Shields. It was part of the DRAWING project, led by gallery curator Esen Kaya. Paddy received an ACE grant for the exhibition, and research into lace, glass materials and techniques began again. -
Out of stock
reticella NeckLace 5b - Edward Sackville collar hand drawn glass jewellery 12x6.5cm drawing onto waterjet cut glass FREE SHIPPING Reticella NeckLace 5b is one of in series of glass pieces from research into historical lace and glass. This one is from William Larkin’s portrait of Edward Sackville in Kenwood House. n 2000 Paddy began researching into historical glass and lace, but she had to abandon it for work commitments. In 2010 it began again with advice and help from her friend and fellow artist Paul Scott. In 2017 she received an Arts Council England grant for a solo exhibition, Drawn Thread Work, at Customs House Gallery in South Shields. It was part of the DRAWING project, led by gallery curator Esen Kaya. Paddy restarted research into lace, glass materials and techniques, working with the University of Sunderland Glass & Ceramics department at the National Glass Centre. The University water jet cutter cuts the glass, then Paddy draws the individual pieces, and fires them at the university. -
reticella NeckLace 5c - Edward Sackville collar hand drawn glass jewellery 12x6.5cm drawing onto waterjet cut glass FREE SHIPPING Reticella NeckLace 5c is one of in series of glass pieces from research into historical lace and glass. This one is from William Larkin’s portrait of Edward Sackville in Kenwood House. In 2000 Paddy began researching into historical glass and lace, but she had to abandon it for work commitments. In 2010 it began again with advice and help from her friend and fellow artist Paul Scott. In 2017 she received an Arts Council England grant for a solo exhibition, Drawn Thread Work, at Customs House Gallery in South Shields. It was part of the DRAWING project, led by gallery curator Esen Kaya. Paddy restarted research into lace, glass materials and techniques, working with the University of Sunderland Glass & Ceramics department at the National Glass Centre. The University water jet cutter cuts the glass, then Paddy draws the individual pieces, and fires them at the university. -
reticella NeckLace 6a hand drawn glass jewellery 12x7cm drawing onto waterjet cut glass FREE SHIPPING Reticella NeckLace 6a is one of in series of glass jewellery pieces from research into historical lace and glass. This one is from William Larkin’s portrait of Richard Sackville in Kenwood House. In 2000 Paddy began researching into historical glass and lace, but she had to abandon it for work commitments. In 2010 it began again with advice and help from her friend and fellow artist Paul Scott. In 2017 she received an Arts Council England grant for a solo exhibition, Drawn Thread Work, at Customs House Gallery in South Shields. It was part of the DRAWING project, led by gallery curator Esen Kaya. Paddy restarted research into lace, glass materials and techniques, working with the University of Sunderland Glass & Ceramics department at the National Glass Centre. The University water jet cutter cuts the glass, then Paddy draws the individual pieces, and fires them at the university. -
Out of stock
reticella NeckLace 6b hand drawn glass jewellery 12x7cm drawing onto waterjet cut glass FREE SHIPPING Reticella NeckLace 6b is one of in series of glass jewellery pieces from research into historical lace and glass. This one is from William Larkin’s portrait of Richard Sackville in Kenwood House. In 2000 Paddy began researching into historical glass and lace, but she had to abandon it for work commitments. In 2010 it began again with advice and help from her friend and fellow artist Paul Scott. In 2017 she received an Arts Council England grant for a solo exhibition, Drawn Thread Work, at Customs House Gallery in South Shields. It was part of the DRAWING project, led by gallery curator Esen Kaya. Paddy restarted research into lace, glass materials and techniques, working with the University of Sunderland Glass & Ceramics department at the National Glass Centre. The University water jet cutter cuts the glass, then Paddy draws the individual pieces, and fires them at the university. -
reticella NeckLace 6c hand drawn glass jewellery 11.5x7cm drawing onto waterjet cut glass FREE SHIPPING Reticella NeckLace 6c is one of in series of glass jewellery pieces from research into historical lace and glass. This one is from William Larkin’s portrait of Richard Sackville in Kenwood House. In 2000 Paddy began researching into historical glass and lace, but she had to abandon it for work commitments. In 2010 it began again with advice and help from her friend and fellow artist Paul Scott. In 2017 she received an Arts Council England grant for a solo exhibition, Drawn Thread Work, at Customs House Gallery in South Shields. It was part of the DRAWING project, led by gallery curator Esen Kaya. Paddy restarted research into lace, glass materials and techniques, working with the University of Sunderland Glass & Ceramics department at the National Glass Centre. The University water jet cutter cuts the glass, then Paddy draws the individual pieces, and fires them at the university.
