talecoat 1998 drawing, painting and machine embroidery on silk & cotton velvet National Lottery Commission & Northern Arts commission for Taffy Thomas photograph: keith paisley Described as a storytelling "juke-box", all the images on the coat are of stories in Taffy's repertoire; point at one and he will tell one. Paddy with Taffy in the Lit and Phil [...]
belsay stone fragment 1 1998 sandblasted belsay stone Fabricated by Peter Habergham of ABS Dislay Graphics for the In Arkadia touring exhibition.
belsay fragments 2 1998 sandblasted belsay stone Fabricated by Peter Habergham of ABS Dislay Graphics for the In Arkadia touring exhibition.
belsay fragment 3 1998 sandblasted belsay stone Fabricated by Peter Habergham of ABS Dislay Graphics for the In Arkadia touring exhibition.
belsay stone fragment 4 1998 sandblasted belsay stone Fabricated by Peter Habergham of ABS Dislay Graphics for the In Arkadia touring exhibition.
chloris in marble 1998 sandblasted rosa osada marble 100x200 cm Fabricated by Peter Habergham of ABS Display Graphics from a cartoon for In Arkadia touring exhibition.
belsay capital 1997 sandblasted marble Fabricated by Peter Habergham of ABS Dislay Graphics for the In Arkadia touring exhibition.
an aspiring hat 1994 drawing, painting and machine embroidery on silk & cotton velvet public collection commissioned by Hereford Museums, this steeple henin and wimple hat celebrates Hereford, with imagery sourced around the city. Crockets decorate a spire - Hereford Cathedral's spire fell down
cha'i-fu cheng 1994 250x250 cm drawing, painting, and machine embroidery on silk and cotton velvet private collection A private commission reflecting the nationalities of the commissioners - English & Chinese.The design is informed by a Cha'i Fu, a Mandarin's robe, and Medieval imagery from the Cluny Museum in Paris
barmy knight or balmy night or balmy knight or barmy night 1994 drawing, painting and machine embroidery on antung silk and silk organza public collection made for the Riches of Stitches exhibition at the Collins Gallery, Glasgow. It was purchased for Rachel B Kay-Shuttleworth Collection, Gawthorpe Hall, Burnley, Lancashire. It is inspired by a dream and 16thC tooled armour [...]
